Married to the Game
Two barber partners in West Philadelphia. One friend with connections. One favor from a councilman that turns their shop into a front — and money, power, and prestige start collecting their price. Every favor has a price.
Film & Television
Golden Touch produces original films and series — and delivers them on our own channel on Roku and Fire TV, where our teams, our shows, and our music become programming that never sleeps.
Now Playing
The first Golden Touch originals are out of development and on the screen. Watch the trailers and the first reel here — full episodes are the product, and they live on Golden Touch's own ground.
Two barber partners in West Philadelphia. One friend with connections. One favor from a councilman that turns their shop into a front — and money, power, and prestige start collecting their price. Every favor has a price.
A North Philadelphia structural engineer holds up the blocks the city keeps letting fall — behind his dead father's welding mask, while the company that made him hunts him down and his own brother hunts the mask. He held the building. It held him back…
A letter hidden for thirty years comes out of a family book at Christmas — in Grandma's handwriting. Some secrets wait for the season that can hold them.
West Side Chicago roots, an Oak Park landing, and one retired principal holding the whole family together with banter, class, and love. Pull up a chair.
The first episode of the Building The Kingdom series — Lazarus, the sisters, and the four days that test everybody's faith. More on the featured property below.
The Channel — Roku & Fire TV
Golden Touch holds its own television channel on Roku and Fire TV — the home screen for everything the house makes. Original films and series. Game coverage and documentary stories from the Delco Desperados and our A7FL territories. Films of our live shows. Programming built around the Golden Touch music catalogue.
For an independent house, that changes everything: distribution is not a favor we ask for. It is a door we already own.
Featured Property
The faith catalogue of the house, produced with Building The Kingdom Ministries: scripture told as episodic drama — period casting, a mineral grade, and the text itself carrying the story. Episode 1, When Jesus Delayed, opens the series at the tomb of Lazarus (John 11): the message sent, the Lord who waits, the sisters who wrestle with the delay — and the seven words at the center of it all: “I am the resurrection and the life.”
There is no salvation without faith — and no faith without the wait that proves it. That is the ground this series stands on, episode after episode.
The Production Slate
Two to three features a year across comedy, romantic comedy, suspense, and faith — cast, shot, and finished under one roof, with music written and published in-house.
Now in production and rolling out episode by episode: a West Philadelphia street drama (Married to the Game), a North Philadelphia original (Keystone), a Chicago family comedy (Mama Pearl's House), and the faith series Building The Kingdom — with docu-series storytelling and a youth music & dance show in development behind them.
Kinji — a weekly faith, finance, and lifestyle conversation — plus talk formats spanning conversation, travel & leisure, food, and politics: audio that lives on the channel and everywhere podcasts play.
Behind-the-scenes and documentary pieces following the Desperados and our A7FL territories — the season as it actually happens.
Produced coverage of our own properties' games, made for the channel and for the fans who cannot be in the building.
Golden Touch concerts and events, filmed and edited into features that keep a single night running all year long.
Made the Right Way
A film is only worth what its paperwork proves. Golden Touch builds every production on a clean chain of title — script agreements, cast and crew deal memos, location releases, and music cleared in writing before the picture locks. Music is where this house has an unfair advantage: songs written and published by Golden Touch Publishing are pre-cleared by design, and the cue sheets we file send performance royalties back to our writers and our publishing company every time a production airs or streams.
That discipline is what distributors and platforms actually buy: a finished film, its cue sheet, its licenses, and its releases — a package that can travel anywhere.